The Maker

Thirty years at the bench.

Richard Stevenson has spent more than thirty years working wood — as a luthier, a carpenter, and a traditional timber framer. It is unusual training for an instrument maker, and it shows: he reads timber the way a framer must, knowing how a tree becomes a beam, and a beam a soundboard.

[Placeholder: a line about where he works — town / region and workshop.]

He builds slowly, by hand, favouring Welsh timber and traditional methods, because the instruments he makes were never meant to be hurried. Every commission begins with a conversation and ends with an instrument made for one player alone.

Richard Stevenson in his workshop, wearing a canvas apron
Awen
"An instrument doesn't ask to be hurried. It asks to be listened to — first the timber, then the tools, then the room it will end up in. If you get those three right, the voice will come of its own accord."

— Richard Stevenson

Croeso — welcome

Every instrument begins with a conversation.